Just days into the Covid-19 lockdown, I learned that I was fortunate to receive Canada Council for the Arts grant to support the post-production phase of my digital film project, Borderland Memories, a work in progress since 2015. I began working with my sound and picture editing collaborators via Zoom and other online platforms, and the process of editing and audio production became a slower meditation in a restructured perception of time generated by social distancing. Online work time is both more compacted and more fragmented, generating a revised assessment of the themes I am now expressing for the future screen. What will the stories I’ve been exploring in this film for the past five years mean in the larger post-pandemic histories to come? Two years ago, I was in Berlin at this time, doing archival research at the German Historical Museum, filming in the city and in places along the German/Polish border, meeting with colleagues in the Silesian countryside and in the city of Wroclaw. I had hoped to return this spring for some final research and image production, though I was fortunate to already have enough material to construct my film before travel options ended. Now I wonder what film festivals and screenings will be like in times ahead, and what are the ethics of future travel – for work, for time with loved ones abroad, to reach into a wider world.